#so if anyone wants me to finish it and post it I'll do that

[deathdetermineslife]

No one cares about how you think being ficto isn't harmful because you're an anti. Your opinion doesn't matter anyways. Antis have done a good job of invading this historically proshipping space. You sure did do a good job at ruining this community. You've only been in this community since July and you've done nothing but indoctrinate children into your fucking cult. There is no safe space for real selfshippers anymore because you've made this community harmful. You can act like you do good by making templates and inbox games and "spreading positivity" (Which, you can't do by wishing death to an entire harmless community, by the way. But you're too stupid to understand the gravity of you hurt.) but you do nothing but spread harm through your posts by gatekeeping. There's no safety in gatekeeping. You've spread more indirect hatred through this community than anyone else ever has. I hope you sleep well at night knowing these victims of abuse you pretend to care about are being hurt because of you. Continue lying about being a victim yourself for internet brownie points. We all just feel so bad for you, an anti with no common sense. We built this community by hand and you've destroyed it. I hope you feel good about yourself knowing you've made all of us feel unsafe.

Go ahead and block me, I don't care. Just know we all want you gone. And whine and cry about how this is harassment, I really don't care at this point. Someone needs to say it to you.

there's so much I could say about this, but since it's Christmas eve, I'm quite tired, and I don't feel like trying to refute all of this gobbledygook, instead I'll just say this;

I just got out of church with my family, and while I am pagan, I had a lovely time at Christmas Eve service. at the end we held candles and sang silent night (which has been my favorite Christmas song since I was a kid, fun fact about me :]), and had a nice time seeing people I havent seen since last year. whether or not you folks out there celebrate Christmas, I hope tomorrow is a good day for you! and if you do, I hope you get all the presents you could ever ask for !!!

do something kind for someone this holiday if you can :) go say something nice in someone's inbox, draw them their selfship, whatever. kindness gets you a long way in life, no matter what other people may think.

have a holly jolly Christmas teeehhehehehe >:D

(also I know I said yesterday I would get out more pride stamps but I didn't have time today to finish the rest of them so instead I'll probably get them out tomorrow as a Christmas treat! :3)

[cryingoversatosugu]

All the art and posts about satosugu's death anniversary are making me want to write again so here's a drabble about infinity

—

They've just finished a mission when Suguru notices it. As they stand on the sidewalk, waiting for the driver to come pick them up, Satoru keeps rubbing his eyes, and his shoulders are drooping from exhaustion.

“Are you okay?” Suguru asks.

“I'm fine,” Satoru says shortly.

“Satoru,” Suguru chides, because by now he knows how often Satoru works through exhaustion, and how overwhelming his six eyes can be. “Are your eyes hurting again?”

The way Satoru looks away is an answer in on itself.

Suguru steps forward and raises his hand to cover Satoru's eyes, he has done it enough times for it to be a habit now– until Satoru can shut himself in a dark room this is how they make do on long missions.

But when Suguru doesn't feel the flutter of his eyelashes against his palm, he frowns. “You still have infinity on?”

“We're outside,” Satoru argues, and steps away from Suguru’s hand, as if reminded that he's not supposed to have any weaknesses here, exposed like this.

Suguru understands; the school is the safest and he knows that Satoru would prefer to only drop infinity once they've reached back, but sometimes he agrees to drop it once they're in the car.

Suguru would let it be, but it'll still take the driver some time to be here, and Satoru's eyes are already red-rimmed.

“It'll be okay, you don't sense anyone around right?” Suguru tries to convince him. “And I'll protect you.” He flicks his wrist and the rainbow dragon appears. The curse looks gigantic on the sidewalk, but he knows that it'll work best to make Satoru less wary.

Like most of his curses, it's very fond of Satoru, so it huddles around him, nudging his shoulder. Satoru rolls his eyes but isn't completely successful in hiding his smile as he turns to pet it, finally dropping infinity.

Suguru smiles, a little surprised by the sheer relief he feels at that, at seeing the tension in Satoru's shoulders loosen a little.

[greenleaf4stuff]

My 2024 fic I'm most proud of

As we're finishing out 2024, what is one thing from your writing this year that you're particularly proud of? And what is one fic you wrote that you would recommend for others to read?

------------------------------------------------------------------------------

I got tagged by the lovely @withallthatisleftofmyheart, thank you so much!

This one was actually tough for me - I have written quite a bit this year (compared to previous years), and also shared way more of it than I expected.

There's still a few ideas, WIPs and drafts on my harddrive, some of which I'll hopefully write/edit/post in the future, and other works that will likely stay hidden on there (various fandoms, not just the current one). I'm just as proud of those as I am of the works I have shared online.

Still, if I go by the works I have shared, my Adar-centric modern!AU fanfiction "A Very Urukly Halloween" is absolutely the fanfic I am most proud of. It's the first thing I wrote for and shared within the TROP/Adar fandom, and I wrote it all down in a literal day and edited it in a second, sharing it as I went along. I never thought I'd be capable of doing something like that.

To me, the fic represents the beauty of the Adar fandom, and how special it is - people were so encouraging even though I joined the fandom relatively late, and have been very generous with their comments and kind praise towards this fic. (Thank you Adarlings, you are the sweetest!) This little AU even inspired other people to post and/or write their own fics, which I am still awed and honored by.

It's a very cozy fic, mostly lighthearted fluff and with some humor mixed in, which is why I myself return to it at times and love re-reading it and thinking up more ideas for it every now and then. It feels very cathartic.

And who knows, maybe I'll write for this AU again in the future. ;)

Zero Pressure tagging: @plotdesigner @gauntletgirlie @thephoenixandthecrocodile @eowyn7023 @ailendolin @radiant-sunlight-blueberry @fumbles-mcstupid @hextechmaturgy and anyone else who wants to play <3

[cynicalclairvoyantcadaver]

THIS IS VERY IMPORTANT, PLEASE READ

Hi-this is a call for help.

It's not urgent, but it's very important and serious to me.

Listen-I'm writing a literal essay on how the Greek Gods are incorrectly portrayed, and I want to do sections on Zeus, Hera and Dionysus.

So, this started off as a short post on the bold yin yang of PJO, but it quickly blew up into a whole ass essay on the bastardisation of Greek culture and gods. And holy hell, I'm enjoying writing it. I freaking love it, but-

While Rick Riordan's portrayals of the gods aren't totally incorrect, something about their portrayals has been seriously nagging me for months now. I can't quite put my finger on it. It's just on the tip of my tongue-

but I don't think that Rick portrayed them all correctly, and I want to write sections for them too.

So, can all of you-Greeks, Hellenistic Pagans and other people like me who are neither of the first two but are still interested in the Real Greek Gods-can all of you tell me where PJO Dionysus, PJO Zeus and PJO Hera went wrong?

More specifically, how Real Hera, Real Zeus and Real Dionysus are, and how their PJO versions differ from them.

Because I'm doing my research, but I can't always trust the internet and I really want to hear about Dionysus and Zeus and how they were incorrectly portrayed in PJO from real people themselves.

I mean, Zeus is portrayed as paranoid and abusive and while he wasn't the best guy in the Mythology, he was a great father and husband at times-as well as a great guy.

But in PJO, he was barely shown as a good father or a husband, only twice with Thalia because she was his daughter, and we all know how abusive he was to Jason and Apollo. And he's barely given any nuance-as well as Hera. They're both portrayed to be in an abusive marriage, but both Hera and Zeus really love each other.

I kind of also want to do a section on PJO Hera, because I just KNOW that Rick went wrong with her, even if I can't fully explain Zeus and Dionysus.

So, TLDR, I'm writing an essay on how Rick incorrectly portrayed the Greek Gods and want to do sections on Zeus, Dionysus and Hera, could you please help me and tell me more about the real gods and maybe how Rick went wrong with them?

Thanks to everyone who contributes to this! Even a simple like will suffice. I will also respond to every comment, and feel free to tag anyone whom you think might help.

In fact, if you want to complain about ANYTHING wrong in the PJO series, send me an ask and I'll try to include it in my essay. And I don't get very many asks, so I'll be sure to respond to all of them.

I don't mean to be rude, and if you think I am, then please tell me and I'll change what I need to.

@elytrianemrald I know you're looking forward to this essay, I'm working on it every day and getting closer to finishing it

@lady-menrva I know this might not be your thing, but I think you might know some people who could help me

@my-pjo-stuff you mentioned Artemis being your patron goddess, soooooooo you might know something about the other gods too? And if you don't, maybe you know someone who can help?

If you want to be tagged, tell me and I will tag you

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

[javierduffy]

starting to get restless so i'm going to the gym now but have this javieran wippy in the meantime cux i miss posting here

[cultivating-wildflowers]

my brother today: so, uh...what's the word on that crochet basket my wife asked you about? she's started her nesting phase...

me, looking between said basket and the blisters on my hands: it's coming along great! it'll absolutely be done in time for Mom to deliver it!

[time-is-restored]

73 yards thoughts

now that ive had a night to sleep on it, and read everyone's thoughts, im rewatching the episode to see if i can come to a more definite opinion about the episode (though that's perhaps against the spirit of the thing, lol!)

so a few moments that stood out for me that i don't think have already been talked about a lot:

when mrs twist shows up on the mountain, and ruby is giving her messages to pass along to the woman, she wants to say sorry. when mrs twist asks 'what for?' ruby looks genuinely thrown + upset, and eventually says '...i don't know.' since the woman/curse that haunts ruby is functionally an externalisation of ruby's deep seated sense that there is something fundamentally wrong with her, i think this interaction was super poignant. ruby 'knows' that she's done something that she needs to apologise for in the same way that she 'knows' there is something wrong with her that will make people react with fear + anger. there's no proof, no clear flaw or mistake that she can point to, because that's the point. the woman isn't saying anything specific -- there's nothing to say. noticing her (noticing a part of ruby that has a perception filter on it -- that is hard to see until you get close) just means that you see in ruby what ruby sees in herself. she is afraid that people will 'discover' whatever is wrong with her, and she'll lose them forever.

relevant to this is the fact that ruby didn't actually break the circle. if reading the messages is what summoned the woman in universe, then sure, she has culpability for that. but if it was breaking the circle, she had to live with the consequences of someone else's actions, and feeling guilt for something she didn't do. while im less confident with this reading, you could argue this is an allegory for her being given away. ultimately, that decision had nothing to do with her. she was literally a baby lmao. the idea that there's something wrong with her bc of her mother's decision is illogical -- doesn't follow reality, just like magic. she's spending her life trying to make up for a mistake she hasn't made (and, honestly, probably wasn't made. we don't know anything about her birth mother -- its more than likely that she wasn't fit to be a parent to ruby, no matter how human or supernatural the reasons for that were. but the facts of the situation don't matter here, in this liminal space. guilt and fear and shame bleed through the gaps. ruby could arguably be 'the spiteful one' the pub laugh about. she thinks she needs to be punished for something, and so the woman punishes her.)

following along this line, we know that ruby genuinely doesn't know what might have caused the woman to appear. she suggests trespassing, or breaking the circle, and gets the idea that reading the notes might have been wrong from the pub, but she never finds out for sure. unit doesn't know, or at least doesn't have the chance to tell her. the lack of closure ties in really well -- ruby has to carry a trauma that, even as she comes to terms with it, she can never truly explain or understand. even the partial amnesia at the end of the episode can be read as a sort of 'the body remembers what the mind forgets'. some part of her knows something terrible has happened, something that scarred her and left her alone for an immense amount of time (even if that time, in a literal sense, was undone), but she won't be able to put words to it. it seems that self acceptance - literally opening her arms to this *thing* that has haunted her her whole life,

now for some more rambly thoughts/things im still confused about

i genuinely think if not for the single shot of the episode reversing and old ruby now standing with her arms out on the cliff, i would have no problems with the themes of this episode. it was a powerful representation of rejection and fear that genuinely freaked me out (ruby running after her stone-faced mother while crying BROKE me), and i think it was a great character study of ruby. like others have said -- how many people would have stuck it out for that long? how many people would have never resented/blamed the doctor (or anyone, really) for leaving? and how many of THEM would've come to find a sense of companionship with their spectre?. ...however.

i can not wrap my head around the shot where time reverses and old ruby is looking out from the pov of the woman. it completely breaks my brain. i know at a certain point i should just accept that the woman can do whatever the story needs her to do, but there was nothing about time travel up to that point. it was all about physical and psychological boundaries. more than that, there was no indication that ruby was trying to make up for what had gone wrong. she didn't try and fix the circle, she didn't try and communicate with the woman at all beyond her first failed apology. on its own, i like this -- ruby becomes resentful of the woman quite quickly, which tracks as an expression of her poor self esteem. why would she try and get in the good graces of someone she rejects + dislikes? and again, i LIKE that she eventually treats her as a companion. all ruby has is herself, and she can never leave herself. getting to a point where she doesn't want the woman to go away, where she doesn't feel lonely while alone -- it makes sense that that is what heals the riff. i can write all that out in a way that makes sense to me. ruby makes a mistake (or witnesses a mistake) that makes the doctor disappear. she rejects herself, and in this liminal space, the part that she rejects manifests into reality. it haunts her for the rest of her life, even as she begins to wield what she thinks it says about her (that she's unloveable) to her advantage. when she accepts it, and integrates it back into herself, she is able to speak clearly to herself -- what she is thinking makes it across to young!ruby. when ruby thinks about the situation without the influence of self hate, she realises that the problem was the doctor's actions, not her own. she gets the message across, the doctor doesn't disappear, and the cycle never starts. the loop closes.

but. she wasn't one with the woman the whole time! if she was, the doctor would have never stepped on the circle -- the loop couldn't start, and so it wouldn't need to be closed. like, i know that we do a lot of paradoxes in this show and sometimes things are just gonna be Weird. but to me it's like if, in turn left, donna died in an unrelated car crash, then ended up back in time anyway. so why, if ruby has apparently accepted the woman by the time she visits the tardis for the last time, does the show bother with taking us back to the hospital and seeing old!ruby flatline? why doesn't the old woman come to her there, in that moment, so old!ruby is reaching across time but not space? if i squint, i could make an argument for the death. ruby's understanding of herself dies so a new, more accepting one can be born -- and obviously the timeline would fade away in the moment the loop is closed. but that's not what happens. old!ruby chooses hope and accepts herself, THEN goes back to the hospital, dies, then travels back to the past through time AND space (somehow, sure, i'll just accept the woman can do that), then communicates the message, then fades away. what changed between the visit to the tardis and her death? what do those few minutes possibly add other than the 'ive never been alone' line, which could've easily been written into the talk on the cliff? hell, she could've passed away right there on the cliff, if that needed to happen! but no matter how i twist it i can't understand why the old woman looked the same as it did before old!ruby merged with her, behaved + moved the same, and physically manifested when none of the criteria for its appearance had yet been met. im almost certainly overthinking it -- i can map everything else from this episode onto a psychological exploration of ruby and her fear. maybe the episode is saying that the woman was always there (at least to ruby), and old!ruby's self acceptance is what let the message get through??? but fuck i hate that she looks the same!!!! aghghhhghg! what changed! what changed! it looks like nothing changeddddd!!!!! <- deranged. they merged, there should be a sign of that beyond her hands being mirrored with ruby's.

tldr. if i could change anything about the ending of the episode, i'd take it in one of two ways. either have ruby merge with the woman while on the cliff and have ruby say something like 'now, what were you (or i) trying to tell me?' before cutting to the new timeline, or have the woman post merge look like old (or young!) ruby. she couldn't be seen because she was unknowable and (bc of ruby's schema) unloveable, so ruby conjured a generic older woman (possibly drawing from mother issues -- had to be someone at minimum old enough to be her bio mum). if she now looked like something specific, wouldn't that show old!ruby knew that what she feared was all bc she rejected herself? young!ruby could even have a line to go along with 'she looked like she was looking for someone', maybe 'i wanted to talk to her' -- just something small indicating that old!ruby's acceptance of herself was passed down in some small way, even if it certainly hasn't cured ruby of anything.

now for other theme/focus mutterings. i could spin something here about the fact that the doctor says the fairy circle 'is' charms and spells and hopes and dreams. ruby hopes and dreams that she can be accepted, and later, that she can bring the doctor back/undo the moment where it all went wrong. but the doctor also says that they should 'rest in piece'. so they're dead hopes and dreams, aka fears + regrets? so breaking it unleashed both the doctor and her greatest fears - the doctor of complete helplessness + impotence, and ruby of abandonment + rejection. because those fears stay buried in this timeline, ruby + the doctor's hopes (which in many ways are embodied in each other) can continue to live and be 'here', not drowned in the past.

also, the doctor implies the woman is 'resting in piece', out of nowhere, which i think is another indication of both ruby AND the doctor having knowledge from the split timeline. after all, old!ruby did die. so did the timeline where all that happened, i suppose. maybe that's the other angle for the fairy circle - it represents the fragility of a load bearing timeline. the hundreds of dead paradoxes and dead universes that spin off from time being written and unwritten as the doctor (and his companions) fixes whatever he can. let them rest in piece. forget what could've happened. forget what just did happen.

now for my other critique. i think the sexual harassment sub plot was cheap and shitty, and only served to be an incredibly lazy 'kick the puppy' moment to show that the prime minister was Evil™ levels of bad. in the process it showed no respect or care to victims of abuse, and pretty heavily implied that ruby had done nothing in the face of her peer being abused, because 'she had to make sure'. of what? that mad jack was a bad guy? watching him heavily imply he wanted to fire nukes wasn't enough to confirm anything? 'he's a monster' wasn't enough? why? what metric was she using, then? if she was waiting for him to be prime minister, why did she wait an unspecified amount of time AFTER he was elected, where he's clearly still abusing marti, to act? presumably the audience was already on team 'oh this guy sucks' by the nuke interview at the VERY latest, where it was also made clear that the guy was fearmongering about borders and all sorts of right wing bullshit. like, those are just the problems with it off the top of my head -- it fucking sucks, basically.

that all being said, i think ruby convincing herself that she only has 'one chance' works super well into the overall theme of ruby's understanding of the monster + her situation being tied to arbitrary rules she's decided help make the woman make sense. since this terrible thing happened when life was previously going fine, there must be a way to undo it and go back to the love and acceptance she had before. but there is no monster to slay that will trigger the end credits. there's just ordinary, shitty humans, and ruby herself. she can't uncross the boundary of pre-and-post trauma. and as long as she thinks there is something she has to make up for, the world where she is being punished will keep ticking along. i just wish it had been communicated in a different context!!!

side note. does anyone else want to come live with me in a world where 'it never snowed again' means that snow never occured again anywhere in the world. yes its way more likely to think that ruby's referring to instances of spontaneous snow linked to her emotions. but can you IMAGINE hardening your heart so entirely after being rejected by your mother that you change the climate of planet earth?? holy shit!

[rindemption]

I have a question

Posting my drawing practice and doodles and wips has, in the past, been a pretty effective way to get me to keep drawing. Accountability and all that.

Would there be any interest in seeing those posts here on my main blog, or would people rather I kept it to a side blog?

[aroace-number-eight]

.

[evtoine]

have not been on tumblr all day bc i needed some good laughs after work, so i've been watching dropout stuff. it was a nice change of pace tbh, it's brought back some of my creativity that i felt like was dying off. eager to get back to bg3 though!

[allylikethecat]

i just got in to reading your fics and omg can i just say (sometimes) hurt so good!! i’d love to see how you’d interpret fictional george comforting fictional matty once matty recovers more and they talk things through and have a productive conversation, no pressure though! keep up the good work 😁😁

Thank you so much for reading! I'm so happy to hear that you have enjoyed my fics! (Sometimes) in particular is my precious baby, it was hard to write, but I was (and still am) extremely happy with and proud of the finished product. I have toyed around with the idea of writing either a sequel or a companion fic and exploring what a physical and mental recovery would look like. I have even gone as far as outlining it and adding a few paragraphs here and there to the notes app on my phone (where all my fics start their lives lol) however at this time finishing it is not on the top of my metaphorical "to write" list. I'm not saying I'll never write a sequel or companion to it, just that if I do it's not going to be anytime soon. I'm so glad that you enjoyed it though, especially enough to reach out about a companion. 😊 As I said, it is a piece I am proud of, and I am happy to see that it resonates with others and that they are enjoying it despite the heavy subject matter. Thank you so much for reading and I hope you have a wonderful day and continue to enjoy my other works! I will (hopefully) have the next chapter of the A&E fic up tomorrow!

❤️Ally

[izzy-b-hands]

8/20's au-gust fill...is in progress but might also just get deleted and skipped lmao (it's still so wordy and not finished and I have zero confidence in this fucker. I think I would like it but then again I like verbose little weird novellas/short stories that are a packed slice of time and then I never hear from any of the characters in that universe/au ever again but think about them forever after. But that's definitely not to everyone's taste or even anyone's taste in general, broadly so. Things to consider)

today's (8/21) fill isn't happening. Tomorrow's fill, possibly.

thank fuck 8/23's fill has been done for ages now

and I'm picking away at fills for 8/24 and 8/25 for now (bc I can't sleep until I get more done, even if it's just a few lines that I wind up deleting)

[hostilecityshowdown]

Hello, do you know of any fics anywhere on the internet featuring ANY of mark's pre-taker gimmicks? I love baby ginger sm..

this isn't a self promotion because... i haven't finished/posted them yet, but i honestly don't know of any aside from the ones i'm working on oTL

i don't read many other writers' wrestling work aside from @1-2-3kid and @spacelizardtrashboys in general, but i highly recommend their content even if it doesn't include the big man in his youth

[thethingything]

trying to convey how bad I feel to the NHS 111 staff without making it sound so bad they decide I need to be on a psych ward

[sol-flo]

i'm going to destroy this damn phone

- the boss avoider